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Sabtu, 09 Maret 2019

WIDOWS !2018 Adam Wesley Brown

WIDOWS !2018 Adam Wesley Brown

SYNOPSIS: A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows have nothing in common except a debt left behind by their spouses` criminal activities. Hoping to forge a future on their own terms, they join forces to pull off a heist.

2352123142 2018

PRODUCTION: New Regency Pictures, See-Saw Films, Film4 Productions, Lammas Park, Regency Enterprises

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2352123142 2018

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GENRE: Crime, Drama, Thriller

2352123142 2018

Trailer: Widows (2018) - TV Spot - Everybody Ready [HD]

CAST: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Robert Duvall, Liam Neeson, Garret Dillahunt, Carrie Coon, Jacki Weaver, Jon Bernthal, Manuel Garcia-Rulfo, Lukas Haas, Matt Walsh, Kevin J. O`Connor, Michael Harney, Clare Cooney, Ann Mitchell, Deron J. Powell, Adam Wesley Brown, Wendy Mateo, Matthew Fowler, Bailee Brewer, Stephen Hill, Michael Weber, Adepero Oduye, Chuck Inglish, Henson Keys, Doug James, Laura Fisher, Stef Tovar, Bailey Rhyse Walters, Katherine Kupferer, Kirsten Fitzgerald, Deanna Reed-Foster, Paulette McDaniels, Will Zahrn, John Henry Roberts, Paul Stein, Coburn Goss, James Vincent Meredith, Patrese McClain, Jason Bradley, Keith Kupferer, Socorro Santiago, Sir Michael Rocks, Josiah Sheffie, Brian King, Stephen Eugene Walker, Chris Nolte, Chris Froseth, Kurt Ehrmann, Eric C. Lynch, Francis Florczyk, Amanda Rivera, Philip Rayburn Smith, Jon Michael Hill, Tonray Ho, Cameron Knight, Chaon Cross, Mark Lancaster, Molly Kunz, Lily Mojekwu, Tai`isha Davis, Alejandro Verdin

It is with great disappointment I feel the urge to write this review - mainly because of how critically acclaimed this film has been since its release and also because I bought a £18 ticket to watch something not worth it. The plot, the inconsistency throughout 2h09min, the character depth and let me tell you about the biggest disappointment; the first few scenes you`re compelled into the loving world of Veronica and Harry - they`re compassionate, caring, loving and just a end-product of a healthy and prosperous relationship. And what happens if not that they try to kill each other by the end of the film?! Utterly and completely poor. Not because something so beautiful was destroyed, but because there was no basis to support his side of actions, as if Mcqueen (Flynn) couldn`t decide on a ending so they went with the stupidest just to keep the film `unpredictable`. They were however, parts which justified the unpredictability - for instance, when they were robbed during their robbery (not considered done until you get to the safe house) by Jatemme, and he drives off with their van and then suddenly a car crash into the van from behind and he dies and it was the women, they take the money and leave for the second time (which also questions the credibility, whose car was it, did they steal it, and how did they steal it, with no street credit at all?). Just lack of background, character depth, importance of plot and foundation for it, line of story - all of a sudden they were pulling off the heist, no buildup whatsoever, disallowing the audience to actually feel the adrenaline and excitement and actually support the women; because there was reason to actually feel for them, the losses they endured and how they endured it and how innocent they were; the background of Alice, who seems the most fragile of them because of what other characters think of her (her mother, who wants her to become a prostitute because she doesn`t think she has anything else than looks) but who then proves everyone wrong and takes initiative in finding out about the drawing by using her temporary sugar daddy. She not only excels as a character but she becomes Veronica`s favorite, who is the alpha in the mess - while mourning her husband, Manning steps into her penthouse and demands $2million, a debt her late husband left after him. She then embarks on a journey, which in the beginning is interesting, to find out what he left her (a notebook of the heist) and what she has to do to get the $2million, but then it gets boring - dragged out, inconsistent, weird; shouldn`t she be the one to buy a van, guns and figure out what that piece of paper meant and not hand it over to people who she doesn`t know at all? Along the way, the couples longtime friend and driver is murdered by Manning`s men and there`s really not much to it. And Linda, with two children, was firstly assigned to the piece of drawing, used her Spanish to get to the architect of the drawing, but then messed up when the architects husband opened the door and tells her she is dead. And then she confessed her husband had died recently as well and then they kiss??? What I liked the most was how four completely different women could work together and pull the heist off, without any help from a man - it showed, not only the empowerment of women in Hollywood but also that it was validated -there`s not many films with three leading actresses in a blockbuster (Ocean`s 8 fine) and I appreciated the film for it. And I liked the works of Sean Bobbit, whose cinematography told a story in the story and which made the visual aspect worthy, as when Jack held a little presentation in a segregated area and walked over to the car and sat in it and the camera kept rolling on top of the hood of the car as he had a discussion with his assistant about him not wanting to do the work he`s doing (irrelevant given the outcome of it - again no substantial meaning to dialogue) and by a turn, the camera switched to the other side of the car on the more wealthier areas of Chicago. It was refreshing and needed. The only thing I wasn`t disappointed with and which I would happily pay £18 for, was that if you bring Viola Davis, Robert Duvall, Liam Neeson, Colin Farrell, Michelle Rodriguez and Daniel Kaluuya on screen, you`re never gonna be disappointed. Viola Davis outshone everyone, even if the others were great as well. Ah well, at least I can remove this one from my watchlist.

KEYWORD: #women #chicago #politics #politician #remake #flashback #heist #betrayal #money #based_on_tv_series #violence #car_chase #mob_boss

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Dom ktoacutery zbudowa322 Jack 2018

SYNOPSIS: Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life`s work as a serial killer for twelve years.

PRODUCTION: Zentropa Entertainments, Copenhagen Film Fund, Danmarks Radio (DR), Centre National de la Cinématographie, Concorde Filmverleih, Eurimages, Les Films du Losange, MEDIA Programme of the European Union, Nordisk Film Distribution, Nordisk Film & TV Fond, Potemkine, Slot Machine, Det Danske Filminstitut, Svenska Filminstitutet, SVT, Film i Väst, Film- und Medienstiftung NRW

KEYWORD: #1970s #artist #psychopath #taxidermy #flashback #serial_killer #visions_of_hell #1980s #animal_mutilation #child_killing #graphic_violence

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Lars von Trier`s "The House That Jack Built" is, in form and structure, very similar to "Nymphomaniac" but takes this new form of cinema to another level; it tells, on one hand, the story of (some of) the murders commited by a brilliant serial killer; on the other hand, the dramatic narrative is again and again mixed with essayistic undertakings, dealing with topics such as hunting, concentration camps, Albert Speer and Goethe. Thirdly, the film also presents itself as a metaphysical, Dantesque portrayal of the main protagonist`s inner workings. The way this is done proves that Lars von Trier is the most original thinker in cinema today. This film is a masterpiece. Matt Dillon gives the performance of his career and should be awarded an Academy Award.

CAST: Matt Dillon, Bruno Ganz, Uma Thurman, Siobhan Fallon Hogan, Sofie Gråbøl, Riley Keough, Jeremy Davies, Jack Mckenzie, Mathias Hjelm, Ed Speleers, Emil Tholstrup, Marijana Jankovic, Carina Skenhede, Robert Jezek, Osy Ikhile, Christian Arnold, Yoo Ji-tae, Johannes Bah Kuhnke, Jerker Fahlström, David Bailie, Robert G. Slade

Dom ktoacutery zbudowa322 Jack 2018

Dom ktoacutery zbudowa322 Jack 2018

GENRE: Drama, Horror, Crime, Thriller

Fu.ll Mo.vie | on.line ^[HD] If Beale Street Could Talk _2018

Fu.ll Mo.vie | on.line ^[HD] If Beale Street Could Talk _2018

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GENRE: Drama, Romance, Crime

CAST: KiKi Layne, Stephan James, Regina King, Teyonah Parris, Colman Domingo, Ethan Barrett, Milanni Mines, Ebony Obsidian, Dominique Thorne, Michael Beach, Aunjanue Ellis, Diego Luna, Emily Rios, Ed Skrein, Finn Wittrock, Brian Tyree Henry, Dave Franco, Bobby Conte Thornton, Marcia Jean Kurtz, Pedro Pascal

SYNOPSIS: After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.

KEYWORD: #1970s #flashback #lawyer #harlem #devoted_family_man #young_adult #false_imprisonment #love_story

205513350927604235723490333021228153576235805 2018

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Barry Jenkins once again boasts his prodigious, unearthly talent of visual storytelling. But this time he enhanced it by the magical Power of Love. And here we have a piece of visual poetry! Despite incorporating narration in its storytelling, the movie leans heavily on its sensory aspect and its rich, haunting atmosphere in every scene to convey emotion. With the help of James Laxton`s richly hued cinematography, and Nicholas Britell`s score which is brimming with love, hope and also darkness, Jenkins weaves Baldwin`s tragic romantic story into a tender cinematic experience that could easily be mistaken as a poem. I have some issues with the dialogue, though. I think it needed to be more gritty, hence more convincing and compelling. There`s no doubt that Jenkins` reliance on the atmosphere he created to give the movie its emotional impact paid off marvelously for the most part. But some moments in the movie I found to be too soupy and mushy for its own good. These moments I found a bit hard to swallow, especially when the movie tackles some heavy themes like racism. The chapter-like narrative technique was a mixed bag for me. While it made me eager to know more and more about the characters and the story in general as the plot unravels slowly; almost time the movie introduces to me a new sub-plot, or rather a new chapter in its story, I felt it to be forced, heavy-handed and a little on the nose at at first glance. Especially, because of the simplicity of the dialogue as I mentioned above. That said, Barry Jenkins` tender, exquisite and superbly elegant direction, along with the massively amiable and endearing protagonists, makes me thoroughly engrossed and immersed in every single scene in no time. KiKi Layne and Stephan James`s captivating performances made their already-relatable characters even more sympathetic and appealing. Regina King is great. But, unfortunately, she has few moments to shine. Pedro Pascal, Diego Luna, and Dave Franco are quite good, but their roles are too small to show their acting talents. Ed Skrein`s acting was a bit hammy, IMO. On the other hand, Brian Tyree Henry (Atlanta), whose role is also small, delivered a terrific performance that made his scenes stick in my mind even now. Maybe I criticized the movie a bit too harsh. But it`s actually way more easy to mention the few issues I have with it than to describe the arresting experience I had watching it. (8/10)

205513350927604235723490333021228153576235805 2018

Trailer: James Baldwin Birthday Teaser [HD]

205513350927604235723490333021228153576235805 2018

PRODUCTION: Annapurna Pictures, Plan B Entertainment, PASTEL

Fu.ll Mo.vie | on.line ^[HD] If Beale Street Could Talk _2018

Fu.ll Mo.vie | on.line ^[HD] If Beale Street Could Talk _2018

CLICK HERE To Watch If Beale Street Could Talk _2018 NOW!

GENRE: Drama, Romance, Crime

CAST: KiKi Layne, Stephan James, Regina King, Teyonah Parris, Colman Domingo, Ethan Barrett, Milanni Mines, Ebony Obsidian, Dominique Thorne, Michael Beach, Aunjanue Ellis, Diego Luna, Emily Rios, Ed Skrein, Finn Wittrock, Brian Tyree Henry, Dave Franco, Bobby Conte Thornton, Marcia Jean Kurtz, Pedro Pascal

SYNOPSIS: After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.

KEYWORD: #1970s #flashback #lawyer #harlem #devoted_family_man #young_adult #false_imprisonment #love_story

205513350927604235723490333021228153576235805 2018

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Barry Jenkins once again boasts his prodigious, unearthly talent of visual storytelling. But this time he enhanced it by the magical Power of Love. And here we have a piece of visual poetry! Despite incorporating narration in its storytelling, the movie leans heavily on its sensory aspect and its rich, haunting atmosphere in every scene to convey emotion. With the help of James Laxton`s richly hued cinematography, and Nicholas Britell`s score which is brimming with love, hope and also darkness, Jenkins weaves Baldwin`s tragic romantic story into a tender cinematic experience that could easily be mistaken as a poem. I have some issues with the dialogue, though. I think it needed to be more gritty, hence more convincing and compelling. There`s no doubt that Jenkins` reliance on the atmosphere he created to give the movie its emotional impact paid off marvelously for the most part. But some moments in the movie I found to be too soupy and mushy for its own good. These moments I found a bit hard to swallow, especially when the movie tackles some heavy themes like racism. The chapter-like narrative technique was a mixed bag for me. While it made me eager to know more and more about the characters and the story in general as the plot unravels slowly; almost time the movie introduces to me a new sub-plot, or rather a new chapter in its story, I felt it to be forced, heavy-handed and a little on the nose at at first glance. Especially, because of the simplicity of the dialogue as I mentioned above. That said, Barry Jenkins` tender, exquisite and superbly elegant direction, along with the massively amiable and endearing protagonists, makes me thoroughly engrossed and immersed in every single scene in no time. KiKi Layne and Stephan James`s captivating performances made their already-relatable characters even more sympathetic and appealing. Regina King is great. But, unfortunately, she has few moments to shine. Pedro Pascal, Diego Luna, and Dave Franco are quite good, but their roles are too small to show their acting talents. Ed Skrein`s acting was a bit hammy, IMO. On the other hand, Brian Tyree Henry (Atlanta), whose role is also small, delivered a terrific performance that made his scenes stick in my mind even now. Maybe I criticized the movie a bit too harsh. But it`s actually way more easy to mention the few issues I have with it than to describe the arresting experience I had watching it. (8/10)

205513350927604235723490333021228153576235805 2018

Trailer: James Baldwin Birthday Teaser [HD]

205513350927604235723490333021228153576235805 2018

PRODUCTION: Annapurna Pictures, Plan B Entertainment, PASTEL